• FinePix REAL 3D Technology Debut

    2009. 7. 27.

    by. 꼼발남자


    FinePix REAL 3D Technology Debut

    FinePix REAL 3D Technology pioneers a new dimension in imaging.

    Welcome to the Future of Imaging

    From the advanced 3D digital camera to the stunning 3D digital viewer and breakthrough 3D printing technology, this total 3D imaging system will change the way you take and enjoy photos. Viewed with just the naked eye, 3D images come alive with breathtaking reality and natural beauty. Images that once were only a dream are now a reality.

    FinePix REAL 3D Lens System

    High-precision Lens Alignment Technology for High-quality 3D Image Capture


    Acclaimed for superb resolution and definition, Fujinon lenses are the choice of professional cameramen and a key component of many professional imaging devices. For the FinePix REAL 3D W1, Fujifilm has developed a groundbreaking image capture system comprising two Fujinon lenses and two CCDs, and the system is integrated in the compact body with high-precision engineering. An aluminum die-cast frame provides the solid platform for the precision alignment of the left and right lenses so you can take 3D images with an unprecedented quality of reality.

    RP (Real Photo) Processor 3D

    Instant and Simultaneous Processing of Image Data Captured by the Twin Lens-CCD System


    Image data captured by the twin lens-CCD system is processed by the RP (Real Photo) Processor 3D - a newly developed processor that evaluates all photographic factors from focus and brightness to color tonality, and then merges the left and right images in a single 3D image. It is also the power behind 3D Auto - the function that makes point-and-shoot 3D photography a reality! This processor also controls the two capture systems independently to shoot two different images of the same subject simultaneously - each with different photographic settings.

    3D LCD Monitor System

    Original Technology Displays 3D Images that Jump Out of the Screen

    Our ability to perceive depth comes from viewing an object along two different lines of sight. This phenomenon is called parallax. The monitor on the 3D digital camera uses an originally developed “Light Direction Control System”, and the 3D digital viewer adopts a “Parallax Barrier System” to precisely direct light to the right and left eyes in a way that simulates parallax. Both enable easy and natural viewing of 3D images with just the naked eye.


    1. Light Direction Control System / Parallax Barrier System

    2. 3D LCD monitor

    3. Image received by the left eye

    4. Image received by the right eye

    5. 3D image

    Enjoy 3D Playback on the Rear Camera Monitor and Viewer


    With the FinePix REAL 3D system, you can review images in 3D on the camera's LCD monitor and also on the large LCD monitor of the 3D digital viewer. Frame your shot in 3D and play it back in 3D on the spot with the camera's monitor. On the large-screen 3D digital viewer, you can enjoy and share the full impact and presence of your 3D photos.

    High-resolution 3D Print System

    Advanced Printing Technology for Production of Quality 3D Prints


    Fujifilm has succeeded in the precision lamination of high-resolution, low-halation prints with lenticular sheets that create the 3D effect. Advanced technology encodes and aligns the captured 3D image according to the pitch of micro lenses arranged in parallel rows on the lenticular sheet. Seen through the sheet, image data is perceived with a parallax effect. The result is a natural and beautiful 3D print that preserves and breathes life into the moment forever.


    1. High quality print

    2. Lenticular sheet

    3. 3D print

    3D Printing Principles


    4. Lenticular sheet

    Step 1
    When passing through the lenticular sheet (sheet with cylindrical parallel lenses), interlaced image data are separated into left and right images.

    Step 2
    The left and right eyes see the respective images.

    Step 3
    Parallax interprets the disparity between the images as a sense of depth.

    3D File Format

    For 3D image recording, the FinePix REAL 3D system adopts the MP format for stills and 3D-AVI format for movies. MP format is the “multi-picture format” standardized by CIPA*. FinePix REAL 3D W1 can also simultaneously record still images in both MP format (3D) and JPEG (2D). 3D-AVI adopts the widely used AVI multimedia container format. Adoption of these formats enables 2D playback of recorded images on the user's current personal computer. With the bundled FinePix Viewer image viewing software, users can also convert MP format and 3D-AVI to conventional 2D formats.




    3D Shooting

    Shooting 3D images with an unprecedented “real feel” is simple and automatic with the built-in 3D Auto function of the FinePix REAL 3D W1 digital camera.

    3D Auto Shooting

    3D Still and Movie Shooting with Double 10 megapixels CCD Plus 3x Optical Zoom

    Frame your subject, press the shutter, and the scene is captured in a high-quality 3D image. Not only stills but also movie shooting recorded with sound can be taken effortlessly. Featuring an innovative 3D viewing LCD monitor, you can playback the results in 3D right on the spot.

    Advanced 3D Modes

    Individual Shutter 3D Shooting

    With Individual Shutter 3D Shooting, you can take two shots of the same subject from different positions, and the camera automatically merges and saves the captured images as a single enhanced 3D photo. After the first image is taken, it appears as a transparent overlay on the monitor to help you align and frame the second shot. Photos of distant subjects like mountains and skyscrapers look amazing in enhanced 3D, while close-up subjects like flowers come to life in natural 3D.

    Macro Photography

    Shoot 3D photos with a more natural sense of depth.


    First Shot

    Second Shot

    Landscape Photography

    Shoot impressive 3D photos with an enhanced presence.


    First Shot

    Second Shot

    Interval 3D Shooting

    With a single press of the button, the camera automatically takes successive shots. Perfect for shooting from a car, train or even an airplane to create a photo with an ultra 3D sense of depth. Imagine shooting clouds from the window of your flight and capturing the scene in super 3D. Fujifilm truly brings a whole new dimension to photo enjoyment!


    First Shot
    Second Shot

    Parallax Control (3D Tuning Function)


    Auto Parallax Control automatically adjusts the 3D effect for optimum viewing. For manual fine-tuning of the image, the Parallax Control Button on the back of the camera makes it easy to bring the 3D image into perfect focus while shooting or playing back 3D stills and movies.


    Manual Shooting Functions

    Pursue the extremes of 3D and 2D photo expression with the manual shooting functions of the FinePix REAL 3D W1. Choose “M” (Manual) Mode for the freedom to set shutter speed and aperture. Get instant control of depth of field in “A” (Aperture Priority) Mode. With the built-in “P” (Program) Mode, the camera automatically sets the shutter speed and aperture value. With manual shooting functions, you can capture what your mind's eye sees in every detail.

    Scene Positions for Every Moment

    Just select the Scene Position (SP) that matches the subject and situation. The camera automatically optimizes every setting from shutter speed, white balance, sensitivity and even turning flash on or off. With a choice of 13 easy-to-select Scene Positions for both 2D and 3D photos, moments are captured with the best possible results every time you press the shutter.

    1. Natural Light, 2. Natural Light & with Flash, 3. Portrait

    4. Landscape, 5. Sport, 6. Night

    7. Night (Tripod), 8. Sunset, 9. Snow

    10. Beach, 11. Underwater, 12. Party, 13. Anti Blur

    Notes
    • * Sample photos are simulated images.

    2D Shooting

    FinePix REAL 3D system opens new frontiers in 2D shooting. Two 3x optical zoom Fujinon lenses and two CCDs let you capture versatile styles of simultaneous shooting possible.

    Twin FUJINON Lens & RP (Real Photo) Processor 3D


    Two built-in Fujinon 3x optical zoom lenses and two CCDs, each with 10 megapixel resolution, comprise the hardware platform for the image capture system. In addition, the advanced image processing of the newly developed RP (Real Photo) Processor 3D enhances the resolution of 2D images, reproducing the subject in every detail.

    Advanced 2D Mode

    The Advanced 2D Modes let users use the two image capture systems independently. Just like shooting with 2 digital cameras, the user can choose different zoom, sensitivity and color settings for each image capture system and take 2 photos of the same scene at the same instant.

    Tele/Wide Simultaneous Shooting

    Zoom in on your subject and also take a wide-angle shot of the same scene at the same time. The twin-lens system lets you freely set the zoom magnification for one lens while the other is set to wide angle, letting you capture the exact same instant with totally different angles of view.

    • * With Tele/Wide Simultaneous Shooting, the left lens can zoom while the right lens is fixed in a wide angle setting.

  • Wide Angle                                       3x Optical Zoom
  • 2-Color Simultaneous Shooting

    Change the settings and with one press of the shutter, you can take two photos of the same scene with a different color tonality. Set one lens system to Standard and the other to the vivid colors of Chrome. You can also capture the scene in both Standard and vintage Black & White or shoot simultaneously with Chrome and Black & White. Fujifilm doubles your enjoyment of every moment.


  • Standard                                          Black & White

  • 2-Sensitivity Simultaneous Shooting

    Take two photos of the same instant - one at high sensitivity and one at low sensitivity. For example, you can take panned shots of a moving subject at the exact same instant with different degrees of background motion blur. In dark scenes, you can prioritize blur reduction for one shot, and image quality for the other. For times when you are not sure which sensitivity setting is best, you can shoot the moment at two settings and later pick the image to keep during playback.


  •     Low Sensitivity                                               High Sensitivity

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